When you write in space like this, it’s easy to repeat memories. I thought of this one today, and it’s likely I’ve said it here before. I was thinking of when around 10 years ago my friend Susie told me I sounded like I was ready to have a kid. I hadn’t been talking about kids, just about general place in life.
I guess that settled stage of life I was chatting about happens to us from time to time about different things. It kind of feels like you’re waiting in a long line for something you decided you needed. Maybe you’re leaning your weight at the hip and scrolling through your phone, spacing out with one thought leading to the other. Then you look up a minute later and have somewhat forgotten that you were waiting in line, and it’s time to move up. It takes a couple seconds to tune back in to the subtle sounds around you and the reason you’re waiting there. By now, a gap has formed between you and the rest of the line.
Been thinking about that gap, about dutifully waiting somewhere, getting comfortable with other pleasures to make the time pass fine, and then finding yourself wondering about that space–the gap–that has been made between you and the destination. I’ve been aware of that gap and tuning in to figure out what to do about it. The last few months have had this interesting study behind it all, and behind this study is a sweet comforting world, which always inspires–even in the thick of daily grind ups and downs–a rekindling for reading, writing, and new.
The English teacher in me sometimes feels on this blog (ugh, what a terrible word) like a writing adulteress–teaching drafting and writing with precision in an AP class only to default personally on the lighter way here because its easier, more creative, more immediate. So I asked myself these two questions this morning : what are you trying to say? how do you plan on saying it?
But in a writing space like this, the answer tends to be murky: the space is a mixture of what my former student coined in her own writing once, a diary entry, a letter, and an essay. I concede, and therefore, if the top of this little expression was some mental context, here is one for the diary-letter-essay meat of the post.
I’ve recently watched the intelligent, emotive film adaptation of André Aciman’s Call Me by Your Name twice in whole and a few other times in sought-after gulps, then read his novel once and then back at it again and again in sought-after gulps (you know when you’re searching for the feeling an author got just right and want to connect with again), and it has made me close my eyes and think back and back and back. That thinking makes me wonder about memories, and it challenges how much I can think back on details if I concentrate really hard.
I’ve been closing my eyes each night and welcoming a new memory, whichever one I can zoom in on. The look of remembering recently has two faces: I have to tilt my head and notice my ear (the way one looks when he hears something in the other room and can’t figure out what it is). Or I whisper inside to the memories excitedly, “go ahead and appear, honey; I’m ready” right before I close my eyes at night.
I thought about balmy days in Toronto and the scent of vanilla candles; I’ve thought about the way the stairs felt on the walk up to Kal’s old apartment and the chipped paint around the doorway; I thought about the quiet sound and cool air in the town home before anyone spent free time on phones. I called up the sound of stroller wheels on asphalt when everyone else was at work and felt my green terrycloth jacket on my skin. Stuff like that.
In this brew of tuning in to the gap and finding my safe haven, I’ve connected to a literary bubble I’ve crafted up. Between my writer-admiration crush on Andre Aciman, whose articles (try this or this or any) are thought-provoking, the vivid cinema of Luca Guadagnino’s Italy, teaching Adventure Writing, and coming up on my one year anniversary of looking up at the enormous Chilean sky, I am in a beautiful mental state, ripe for literary bad behavior.
Just because I write here and there doesn’t qualify me as a writer, yet Amy Tan’s line caught me a few days ago: “It’s a luxury being a writer because all you ever think about is life.” I can’t remember a time when I wasn’t thinking about life, coming up with mental one-liners about some notion of experience. The lazier approach to writing (or pre-writing), really, is to drench myself in others’ writing, and an even lazier approach to writing is to listen to their writing.
I’ve been listening to The New Yorker Podcast series where writers and artists read from The New Yorker archives. In around 40 minutes, you get to hear brilliant writing and forget you’re driving at all. Tessa Hadley’s reading and discussion of John Updike’s 1996 “The New York Girl” took me on a few rides, raising my craving to be a student in a graduate classroom again, reading and listening, thinking so hard about sentences that I’d give myself a headache well worth the Advil. There is a line I will remember in “The New York Girl” where Updike writes: “Early thirties is a time for fresh calculations.” Yes, yes, that’s right for me. That line confirms for me that writers sneak in their wisdoms any chance they can get.
We have our dreamy literary lands, and then maybe there can be parts of real world that match up, meeting each other like frayed strands at the edge of a sweater. I had to make a choice about something I’ve wanted a long time and an experience, an idea that came up in marital conversation. At the time, I was in the middle of the travel portion of our unit, mixed deep with Anthony Bourdain, Japan, and the spirit of adventure.
I thought about it for a few days, and I kept seeing this image of the kids on the ferry to see the Statue of Liberty. So the choice became taking the kids to New York. I could see their world becoming part of my world up there, an exciting notion of being able to experience something together that was once carved in my memory as a single woman, etched as a newlywed, repurposed as a student, but not experienced with a family.
I’m looking at the “the gap” like a woman in a rocking chair, and I’m enjoying feeling like a student twice a day on my ride to work. I’m eternally crushing on wordsmiths and stories that extract uncanny patience out of writers and create worlds where we can park and view and test our own senses. My world seems a little brighter with NYC on the horizon, and hasn’t that always been the case? Its promise for everlasting experience, a new book tucked away for the journey, and some hope or newness to reflect on; isn’t that the brew that should always tempt and color a September?