Sunshine Blogger

Sunshine Blogger Award

Last night I went to bed really excited that my friend Katie nominated me for the Sunshine Blogger recognition! I love reading her blog Mama the Reader, and I’m so appreciative of her kind words. According to super-inspirational Katie, who was the first person I knew who created and maintained a blog (now 8 years!), here are the rules:

“choose a fellow blogger who inspires positivity and creativity in the online community. Then send them some questions and be sure to answer the ones sent to you. It’s a fun way to honor a fellow writer and to introduce readers to new spaces.” 

Here were Katie’s questions to me. Answering these was wonderfully reflective.

  • Why did you start blogging?

I didn’t realize how badly I needed to write until I became a 30-year old juggler—not just the normal life stuff. I was juggling the weight of a rip current I needed to reach for with all the things preventing me from it.  I knew there were all these kernels just dropping into my life, and I felt this innate pull to make something out of them. Also, I was truly shocked at how fast I was forgetting what happened a week ago, a month ago, a year ago. My best friend does what she does best and made me feel I could actually do it. Also, I knew if there was this imagined audience who held me accountable, I wouldn’t make too many more excuses. I sat with my laptop on a round glass dining room table and typed until the words Memory Box Mom seemed close enough to what I wanted to do.

  •         Why do you keep doing it? Why you keep coming back to it with so many other social media forms?

One of the first things I wrote on the blog was a reference to my birth experience with Layla. I admitted I wrote my experience without any creative merits in mind. I just had to confess that just 9 months of being a mom shook my life up in all kinds of ways. My favorite admission on that post was when I wrote casually, “I’m starting to understand now.” Having a place where I can hold myself accountable to that very idea is precisely why I keep coming back here. Well, that and the truly kind friends and followers who take the time to say something nice about something I’ve written that they’ve liked (what better encouragement is out there?). I want to continue this idea of “starting to understand.” This space is a curled index finger bending like a drifting underwater creature making me stop and watch.  It makes me write notes in my phone. It makes me sit on the blue chair in my office and turn on my computer.

Facebook is around long enough now that my students feel like it’s an outdated source. They call it the social media for moms. My friends (Katie, you remember this, right?) created an account for me once maybe 10 years ago, and I closed it a few weeks later. So I’ve really never been on Facebook, which is still the king of social media despite it being middle aged. I come back to my blog because it’s oddly a private space. It yield just enough support to encourage me, and it yields just enough control to keep my hands near the heat.

  •         How has blogging changed for you since you began? Has your site somehow taken a different shape than you expected?

Getting this recognition made my reader stats jump for a minute. Always exciting! Every time that happens, I feel two-fold. I want to jump up, and then I want to sort of hide under the table. And usually after that happens, I poke my head up and visit my site and read it with someone else’s perspective. I try to be merciful on myself when I have to fix a grammatical error and republish, or when I desperately want to clarify something. In fact, this post didn’t go through well the first time, I’ve spent some time holding my breath and fixing it up.

These questions had me thinking. I went my “This Mom” description and changed it a little to be more truthful. The writing–along with the writer–has changed. Reflecting on point A helps me with point D. That’s how blogging has changed for me and how the site has taken a different shape: My experiences are changing, and so am I.  Sometimes I just want to change the name of the site to Woman in her 30s or something like that!

Blogging also makes me want to change the word blogging. I still have associations with blogging that are commercial. Here’s what cream I use; buy it. Here’s what I do for my kids that you should, too; buy it. I know something more than you do; read it. Writers want to be read. Essays are the perhaps the product we are offering, but these essays we share with the public are birthed with slow-grown wisdom and are presented with some fragility–like a two palms carrying a bird’s nest, and that makes it impossible to associate it with the other type of blogging. The theatre is the same, but the play is different.

  •         Do you envision a certain audience when you write?

I hope that readers feel like we’re sitting on a soft couch drinking Persian tea in a mug with some quote like “trust thyself” or with some tribal Anthropologie swirl. Maybe when we walked into the cozy room with a tall willowy window, we took our boots off and we’ve revealed that our socks are mismatched. Maybe you’ve got a bare foot propped up under you, and we’re talking about your marriage. Either way, we’re reaching for the sugar cubes and laughing at ourselves with love in our hearts. This image of camaraderie is what precedes any other space for me.

  •         Do you have a favorite post of yours?

Gosh, this is hard. I asked for help on this one (thanks again, Andrea). I started this blog in March 2014, so Memory Lane is close to my heart.  I got some thicker skin and remember it was important to me to be as real as I could in the stressful making-life-work-moment with family photos. Last year’s Unrounded thoughts on the way things line up is moving closer to this woman in her 30s sweater I’ve grown into. The magic of an impractical adventure will always be up there in Chile I and Chile II. And I guess that brings me back to my current headspace. I also love anything to do with my cousin Parissa.

  •         What’s your best writing advice?

I have a beautiful wedding video that I cringe to watch sometimes. I see my 23-year old self posing for the video in some shots. I see myself knowing that the camera is on me, and I’m giving it what it wants. As cliché as this may sound since the word journey is used all the time, but the journey that writing has taken me on is the process: to reflect on when I was posing and to emerge first with the truth as much as I can. Writing preserves. Your fiction and non-fiction all carry your DNA and your observations. The way the light reflects in your living room and the way the stranger crunches on peanuts are equal sources of inspiration.

Write those observations down. When you’ve noticed something you know is something (the kernel?) but don’t know what yet, just write it down. It doesn’t have to be on an expensive leather journal. It can be something you buy from the check-out line at Tj Maxx. It’s that for me sometimes, but it’s mostly on the notepad on my phone.  Joan Didion writes her late husband told her “the ability to make a note when something came to mind was the difference between being able to write and not being able to write.”

A former student asked me recently about writing. She was interested in “how cathartic it must be to write.” My response was surprisingly pessimistic. I remember fantasizing about writing and thinking about how it feels. I told her, though, that the product of writing is usually worth the strain. Finding the time to write and fending off what Pastiloff calls your “inner asshole” are challenging. Blog writing (really, any writing) helps with those two things. The factors that prevented me from starting one earlier—what about privacy? who is even going to read it? there are so many other bloggers already; and how can I keep up with one in this busy life?—became the very reasons to start blogging. I began blogging so I wouldn’t forget memories I find significant. My purpose is somewhat the same now, but what blogging has done for me is that it’s allowed me to see how much I’ve changed. That’s not an easy process.

My best writing advice is to be okay with change. Find your solace with your own little audience. You’ll find your message while eking out the words, and that’s—for me, anyway—the cathartic part. Don’t not write.

  •         Describe your ideal day? Is writing part of the equation?

Thinking about this question had me going up and down for things that usually make me feel productive and peaceful in a day. I can’t say my ideal day is my most exciting day. If I piecemeal versions of a long summer day and a Sunday together, this is my ideal day:

It’s warm outside, and I’ve done something outside for my body because of it. The beds are made and the house is clean. The 7:30 pm amber light is coming through. I’m looking at the artwork the kids made after we bought supplies together to mark their vision. I look outside and see a small mess from where they made something out of mud and where I didn’t say no but said yes instead. I have quiet space to think about something, and then I write down this line that I’ve read that doesn’t really have to do with anything, but I know it’s going to apply somewhere. Allende says “Curry was invented in India, not Norway. It was in pursuit of spices that pirates, adventurers, traders, and conquistadors traveled to the East…” The mystery and effects of spices, their “secret properties” are similar to…. I trail off. I’m okay with that for now. An hour later, the kids are in bed and Kal is reading fiction (okay, this is getting fantasy now) in an actual book with paper. My friend calls and says, I’m picking you up in five minutes. I don’t ask where or how. I pull my hair back and slide on flip flops. I return home with an invigorated heart, and I love things a little deeper. I call Andrea and tell her all about it. She tells me to write it down, and I do. No one asks for a single thing more than my presence.

So my ideal day has clean floors, productivity, gratified children, some writing thoughts, a little spontaneity, then a little solitude.


I nominate Azita Houshiar because she is an accessible, humble, and influential media presence who shifts minds gently using food as unifying ingredient. Also, I nominate Danielle because she’s a young and interesting person who is recently finding her blog voice. She brought sunshine into my world through her leap of faith in herself recently, and I think these questions can help her as she figures out her blogging world.

If you’re interested, ladies, here are some questions for you:

  1. Why did you start blogging?
  2. What inspires you to come back to the screen?
  3. How has your writing changed you?
  4. How do you think it affects other people?
  5. What advice would you give to yourself?
  6. What advice would you give to someone who wants to start a writing project or blog?
  7. Do you envision a certain audience when you write?
  8. Do you have a favorite post of yours?
  9. Describe your ideal day.
  10. What parts of your life or your interests do you hope you may explore through writing one day?

What if parenting had more to do with our own joy?

Yesterday, I was in the kitchen making soup for my mother in law who is in town. Age seems to have hit her hard these days, and she has a lot of ailments coming at her weakened body. Layla saw me using the hand blender and wanted to get on a stool and blend, too. Such started our moment in the kitchen, our hands hovering above a steamy pot. 

We’d just gotten back from soccer games in the healing Saturday sun, so our energy was invigorated. While in the kitchen, I decided additionally to make mulukhia stew, a traditional middle eastern dish that looks like a one-pot wonder but somehow–in the way of Persian or Arabic cooking– takes a silly-long time to make. While I fried pita chips, Layla wanted to bake pita triangles in the oven with a recipe she got from her class. The kitchen island exploded with olive oil, seasoning, bowls, aluminum foil, cutting boards, and measuring spoons.

As usual in the kitchen, I had some music playing. Humming  “My Favorite Things” from the Sound of Music to the kids is nothing new to them. I’ve dropped in these staple American nodes of my upbringing over the years. My friends joke that I haven’t seen any Star Wars anything, but I know a good bit of our 90s MTV allusions.  The kids always like when I get to the part “when the dog bites, when the bees sting…” I decided to play the soundtrack while we busied ourselves in the kitchen.

Somewhere between the foil and the oil, I looked up and laughed to myself. Here was I, this Persian-American (or is it American-Persian?) cooking her Palestinian mother-in-law’s recipe in my Georgian kitchen with my Arabic-Persian-American daughter who just asked for a set of Baby-Sitters Club books, singing along to an iconic American classic soundtrack from a time when my mom sprinkled a little bit of pop culture on me. So we set up our own new stew.

While the sun was up, I loved this idea. Despite all the multculturalisms and the swirl of how life works in my head, the sun set and the yellow of the day turned its trade. I started thinking about what’s been on my mind the last few months: do we want to give our kids a formulaic upbringing?

On some level, maybe the best outcome could be from the ones who can give kids a traditional, safe upbringing nestled in the suburbs with school events on the calendar that we all attend; little birthday parties and seasonal celebrations; high school sporting events and bigger houses. On another level, I feel like I’ve seen a lot of this from a teacher’s stance and have almost been a part of this current, too. We moved up in homes and went to good high schools and carved out the most meaning of what we had. I suppose its from the vantage point of having lived some of this that makes me want to give the kids even more of some of that American life that wasn’t on the menu for me–more freedom, more school events, more sports, more options. But most importantly, something about this pattern feels, well, like a pattern. In the life so many of my peers are living now, it feels the options we earnestly give our children and the careers we try to build simultaneously make life a little harder than I thought it would.

Last year taught me to cancel more and keep more time. I’ve recognized that planning too much even for myself only creates anxiety; it only creates the feeling that there is no more time. I can’t throw away the calendar, but I can fill it up less. This year feels like it’s asking for more of that, too. I had a conversation with friends where I admitted to wondering what a year “off” felt like. One year with nothing but time, options for more spontaneity before time runs out and the kids’ lives get faster than ours. A year of “no extra” unless spontaneous. 

If I’m truly honest, I think I’m feeling this way more for myself as a parent. I wonder when people take their kids out of school for a year if this is less for the children and more for the parents. An opportunity to live differently and change up the formula.

When I sat atop two beautiful lagoons in Chile, I met a family from Scotland. The family of four was driving through South America. The mom and I talked, and she said she was home schooling the kids this year. As her girls circled around her leg, I found out that her kids were about the same age as my own. She told me that her youngest’s birthday was the following week. “Wow, what a cool way to spend your birthday!” I exclaimed. The mom, almost in a whisper, said that her girl is actually really upset about it. She wants to be at home with her friends and have a party with cupcakes. Despite the mountains in the background, all the little girl wanted was that bite of traditional; what the mom wanted for her and even for herself was something new. And perhaps behind all of this was a set of parents who just wanted to feel what life would be like if it was different for a little while, parents who maybe wanted to enjoy parenthood with their kids instead of finding time for parenthood in the midst of so much life minutia. But, alas, there is no right way, is there?

I don’t know of anyone in my life now who isn’t just doing his or her best to make real sense and meaning. In fact, we were discussing the kids yesterday because of some new challenges, and I brought up that tangential story about the family in Chile. When I was done, Kal said, “So do you want to pack up and do something like that?” I kind of looked away and told him the story is less about doing that and more about this realization that at this stage in the kids’ lives, we as parents have this power to do something different (just knowing we have it makes me wonder what we’ll do with it). In a few years, it won’t be as simple. And Inshallah a few years after that, it won’t be an option because their lives will be more theirs than it is ours. It’s a moment of recognition that my kids’ life is also an experience for us as parents now.

I can’t say I want to slow it all down.  Everything has its own time. I can say that I want to feel it differently. I want to look back and know that I felt, recognized, reflected, and changed parenthood for them and with them. I’m opening up this idea that there are only so many years where parents can have equal parts joy and equal parts effort.  Maybe, just maybe, part of the formula is weighing our own joy in parenting and our life experience just as much as we weigh what brings our kids joy in their life experience. Wouldn’t it be something to elevate–this idea that being a parent is just as relevant if not more than being a child. Wouldn’t it be interesting if they both weighed and counted the same. And wouldn’t it be even that much more interesting if they both eclipse.

summer, where are you?

IMG_0466Maybe it was while I waited for the urgent care doctor who would tell me I have the highly contagious, infamous flu, or maybe it was between feverish blurs underneath three blankets in bed when I scrolled through my Instagram on Wednesday and liked these lines of writing advice by author Janet Fitch: “If somebody’s afraid of spiders, you put them in a room full of spiders.” I’ve been scared of this season’s crazy flu for my kids, and I’ve been scared of missing any of the tight work deadlines set for last week and the next few, and then–figuratively–I brought home the spiders; the enemy crawled into my house, and all I could do was abandon dates and time.

Fitch’s advice is to remind us that writers create beloved characters and then have to do awful things to them in order to see what they’re made of, to thicken the plot, to produce indirect characterization, and so on. In Allende’s In The Midst of Winter, one character who dedicates his life to avoiding anxiety is in a few chapters later forced to help dispose of a stranger’s dead body. The way the flu has been knocking people off their feet, hospitalizing them, and even killing them this year, makes me feel(fear) like having kids diagnosed with the flu is like signing their death warrant. And our story has been the same for months; my kids can’t catch a break this winter. They are constantly sick, each cough in bed sounding like the creaking floors in the hallway, each sneeze causing whiplash reactions, each stomach ache interrogated, and we are so weary.

So, if I’m this exasperated character in this story, I admit I handled the spiders in the most predictable way:  I’ve walked around the house wearing a surgical mask. Quarantined myself to the bedroom, putting an invisible fortified line from this threshold to the rest of the house. I’ve wiped and sprayed everything a million times. Sprayed Lysol everywhere. Used Hibiclens to wash my hands. Washed all towels. Cancelled all plans (well, I couldn’t even move until Friday). When the kids were away at school, its own cesspool, I opened the doors to the cold wind and tried to air out the house.  I begged the sunlight to kill the germs. I’ve abstained from hugging and most of my mommy comforts.  As a result, I’ve let them get drunk on TV.

Yesterday was the first day I felt more like myself, so what do I do? Wash all flu-ish things, pick up the house before getting too winded, get everyone drinking elderberry syrup, order the kids new pajamas online, throw away toothbrushes, and buy On Guard and other DoTerra oils. I got Kal to get some homeopathic fortification including turnips (a Persian remedy favorite). My kids have had so many colds and setbacks this winter, I just couldn’t stomach the idea of even one more sickness. Somehow, I feel if I have enough might, I can keep my flu away from the kids.

But this is all exhausting.

And probably futile.

And probably not enough to thwart fate or little Billy’s innocent cough at school that could get them sick anyway. Last week, Layla’s class only had 8 students left in it. 

It’s been pouring rain all morning here, that type where if you run to your car without an umbrella, your shirt will be stuck to you. I want rain to do what it does in books–ceremoniously commiserate with the day, nestle us in for reflection, wash away the sins, offer a rebirth–all of it. I’m thinking today is the day I can inch back to normal. Step out from under the fear and just say I’ll handle whatever comes. If they get sick (again), they get sick. We’ll deal. Just let it go. Man, do I want to be that person. 

I’m pretty sure, though, that I’ll be rubbing feet with essential oils and stuffing mouths with Sambucus gummies as this winter season is fraying my ends, steering this girl to some hippie roots. For now, while immune systems are weak and winter is still here, this working mom would really, truly prefer the less cool lens: to write the spiders and not live them. I’d really like to focus more on that. 


I guess a lot of people in 2014 typed in the question, “What should I write about?” in their internet browser. Why do I know this? Because when I opened up this blank space and could not gather mental notes in any real way for this post today, I decided to just type that question to the internet so it could help me out. After all, my mom told her friend after Layla was born that our generation asks the Internet questions first that her generation asked their mothers’ first. A few authors I’ve followed say that they never start writing on the computer because there are too many distractions. I can see their point.

I want to be here with you, so in the light of the morning, here we go:

I was circuit training at the gym yesterday and it was on the rower–not kidding–that I had this significant shift in thinking. Maybe the fatigue helped me see clearly. Contrary to what I share here in this public space, which was a difficult decision when I started because I’m a pretty private person, I tend not to let personal goals out beyond a select few because I feel it punctures the goal and lets the steam out of it. I shared that I’m working on an online course for students, and now the project is just hanging there with it’s door half open.

I think privacy is enough for my capricorn determination to handle resolves without an audience. However, there is more to this silence than that. I’m from a culture that is once removed from this idea of “the evil eye.” For most purposes, that’s the eye that carries a nasty wish from someone who is jealous of you. The idea is, for example, that you can be gifted with a lot of desirable things or qualities, and then someone else has the power to break it down with the eye of an ill wish or a jealous eye. Personally, I have a huge problem with how our culture can use the word jealousy. More often than not, I hear people call other people jealous when they themselves are arrogant, unwilling to see beyond themselves or reconcile their feelings, or have this nasty quality in themselves. But this underlying fear of sharing something good to a big degree is similar to what I’ve alluded on this site in my own way–this idea that when you’re in something good you may fear that the other shoe will drop. And sometimes that weird pattern happens when you do something great and share the joy, and then you run over a nail and have to change your tire, or you lose 5 lbs and then you get a cold that keeps you away from the gym for two weeks.

Additionally, it wasn’t really until I married that I realized people protect their compliments with the word “Masha’Allah” (God has willed) to both profess their good intention and be deferential.  For example, I will tell my friend that her daughter’s eyes are beautiful, Masha’Allah. Additionally, the culture uses, depends on, and sometimes misuses the word “Inshallah”(God willing) to recognize that the outcome is out of our mortal hands and, sometimes, to stay in a space of respectful indecision. I could say with all truth, “I am dying to go back to Chile, Inshallah.” And I can also respond to someone’s request to hang out by saying “Inshallah” whether I truly want to or not. A long time ago, my friend and I combined our middle eastern, American, and Southern backgrounds by coining this phrase for Inshallah to “Inshallah-God-Willing-the-Creek-Don’t-Rise.” We shorten this via text as IGWTCDR when we’re really excited about something happening.

So, I confess that its from this underbelly of ingrained worry and having a beautiful mom who is always worried, that comes a lot of things, one of them including not sharing short-term ideas as much. I often share reflections here, and I’ve even shared resolutions (last year I actually met all of mine!), but I think I’m going to share some short term stuff here and then follow up with you guys. It’s not about accountability–trust me, I have apps and trackers and my own nature checking in. It’s kind of about wanting to fear less and to push myself to be okay with anything hard that comes along with it. It’s me saying that I believe people are mostly good, that life is meaningful in any way we learn from living it, and that I don’t want fear to mess it up. I’m so sick of that underbelly; I really am.

In another angle, I think Jen Pastiloff is truly affecting some aspects of what I share. I recently let Layla’s friend’s mom into the guest room with the gigantic never-ending pile of laundry covering the bed and scattered on the floor and maybe even in corresponding baskets.  She asked me to see a piece I’d been referring to in a conversation, and I would normally tell this newcomer to my house that the room is a mess and I’d show her later, but then I thought of Jen and said, let me take the nobullshitmotherhood approach. Here is the room, and here is the mess we all make so we can all wear clean clothes. I hate folding laundry.  It never ends. Done.

So here it is. Like half of the U.S., no surprise, I’m trying to stay fit and get back to a 2006 weight (any early 2000s will do!). It could work; it could fail. I work out usually and try to eat well usually, but I just got sick of “trying.” I joined Orange Theory in November. I’m on the Weight Watchers app (which is awesome, but saying that still makes me feel like a 35-year old mom–oh wait, I actually am that). I’m parceling out my points effectively.  I’m learning more about food and about decision making, which is a surprising and unintended result.

So here what I’d like to continue next week: I will not go over my allotted points. I’ll continue going to the gym 3 days a week at Orange Theory, which I freaking love. I will continue reading The Year of Magical Thinking despite the weird dreams I’m having all week (possibly related to reading about pain and death). And I’m throwing in another while-rowing idea: I will not spend ANY money from this last paycheck that is not ABSOLUTELY necessary. If it’s not related to getting fruit, to getting gas, or to a kid necessity, I’m not buying it. I’m sick of feeling like money slips through my fingers.

And one more? I submitted a story to a literary magazine yesterday. I don’t usually share that I do that here, but now I am.  I had submitted the same story to another literary magazine who has a gigantic turnaround time and hasn’t gotten back to me. I hadn’t heard back from them, so I sharpened up the work and sent it to another literary magazine last night. If it’s a good match for them, great. If not, I know I sent it. That seems to me about 80% of the gratification. I’ll submit another one to a place I’m looking at with a January 31st deadline.

Like I told my best friend last night, we sit there and talk about wishes we had when we look back at our past. Saying I’m thankful for my life now and all its challenges is an understatement, but I have a whole host of “I wish” sentences: I wish I was a better student in high school and pushed myself harder. Why didn’t I just take more AP classes so I wouldn’t be so bored?  I wish I took more interest in my long-term me. I wish I started a writing club or took up art classes and didn’t always doubt myself when I was younger. Why wasn’t I in more plays? I wish I defied culture and parents and relationships by dating more. Seriously, what is the worst that could have happened?  I wish I went the creative writing path instead of the literary studies path in college. I loved literary studies and how it skilled my brain, but I wish I’d allowed myself the creative writing joy which felt frivolous at the time. And I can look back and say more “I wish” sentences.

A friend told me once a couple years ago that there is an element of regret in some stories I tell. Yep, that’s definitely true. It’s been true, and I’d like to stop that because I don’t want want that same shade on my 30s. I’m newly 35, and Inshallah-God-Willing-the-Creek-Don’t-Rise, I’m going with less “I wish” sentences and more “I did” sentences. So here we go. I’ll keep you posted.

December Changes

I spent a few weeks of December frozen in an image of laser focus on grading and on work. With abandon to the stress,  I unravelled good habits and amped up coffee again along with anything else that would get me through to winter break. In the heart of work dramatics, I was laying in a tussled Saturday morning bed with kids strewn across. I was mentally slotting the day when I got shocking news that drew a line between the days before it.  My best friend’s dad, a family friend of over 20 years who we affectionally called Mr. T in short, had passed away. I sat straight up in bed, the jolt of a different day in front of me, and ran to the guest room to call her.

As soon as I graded the last final exam less than a week later, my own father picked me up straight from my school and drove me to the airport to be with Andrea and her family.  I appreciated that he was with me as I grieved for her loss; neither my dad nor I said anything about the obvious juxtaposition, but it whispered over the entire drive.

Andrea is the first of our friends as adults to lose a parent, and I was so shaken by her news, not only for the man who has lived in my memories of our childhood—of drives from the airport when I’d visit from Chicago, of the way his voice said my name, of the shrimp curry lunches he’d prepare for us, of the mischievous jokes he’d make, of the over 40-year old stories he’d tell us regarding his wife, and of the overarching way he loved my best friend—but also of the way I searched every groove of emotion to imagine how Andrea must be feeling. I searched her mind and grieved for each new moment she experienced after texting us with these concrete words: “My dad died.”


Everything happened so fast that I wrote sympathy cards propped up on my leg at the gate in Atlanta.  I imagined us putting our familiar arms around each other and sobbing right there on the grounds of the Ohio airport.  I imagined how my friend would be changed over time. I needed so desperately to be there for her, and I envisioned my presence beginning in a certain way. Instead, with the perfect twist of comic relief that life throws in when least expected, I walked off the short airplane ride and  fumbled into an unfamiliar rental car. I hugged Andrea awkwardly from the back seat, and within minutes, we landed at the local Red Lobster at the mall, a favorite of her dad’s and grandma’s, and the place the family would gather that night. I hadn’t been at this chain for decades. I wore her husband, Jarrod’s, coat because I hadn’t had a chance to get one warm enough. Everything was so swiftly unexpected yet familiar.

Later, we walked into her new home. She’d inherited this house from her late grandmother recently, and when we sat together in her living room—a mixture of Andrea’s authentic style, incongruous photo walls and stunning travel tokens, and her grandmother’s life, family portraits with dried flowers and her daughters’ original mid-century beds— I told Andrea I felt like I was on Mars. I bounced from one reality to another, one in which we’d be preparing for a funeral the next day. We sat in this home that raised both Andrea’s mom and aunt, and there was an underlying comfort through it all.


For the two days I was there, after a heart-wrenching but also beautiful funeral where I saw Andrea at her most raw and most heightened adult self, I still felt like I was on another planet. I sat in the backseat when we drove to the cemetery with glorious, mature, bare trees near a university library. I watched Andrea’s mom as she said in soft surprise, “I walked by this cemetery so many times when I was a student here.” When she was a student in the 70s, how could she know that one day she’d bury the husband she’d meet there on that campus and that one day they would both be buried together here? And yet there was that symmetrical life truth as plain and beautiful as an open road, clear only because of the next 50 years of her life that she’d spent living up to this moment.


After a long and emotional day, we found ourselves inside a protective snow globe, another levity God blessed us with after such a day.  Snow fell outside and the Christmas tree lit the living room. Andrea found tapes her mom had made over 40 years ago while in courtship with Mr. T. In a house whose walls heard the story of three generations, we gathered around a dusty boombox. We heard the beginning of their romance. We heard Mr. T’s young voice, with an accent aspiring to all the things he’d become later in life. In those personal exchanges in a life that wasn’t mine, I heard an echo of something familiar, maybe faith in my own life and how it can one day round out to something. An understanding of what is truly extracted from a long life with someone, a sentiment about celebrating life and what got us to where we are. In those tapes were the underbelly of life’s hardships all boiled down to an innocent exchange, a ghoncheh—a bloom—of what would be the most important intersection of her life and then consequently of Andrea’s life. There, the parents I’d known all these years became cooler than us, younger than us. Their details hadn’t bloomed yet, but we sat there with all the associations of their life reeled out before us, and it became a story.


I’m writing this now in a carriage house at a beach we used to come to when the kids were toddlers. I’m in a small den upstairs with an overflowing suitcase opened next to me and the constant sounds of kids bickering all over. I’ve imagined finally writing at the cozy bookstore I love here. Each morning I walked on the beach at sunrise and thought in metaphors, but I could never make real writing happen. Never a perfect moment I could anticipate. This trip is proof of that. This vacation felt like a mistake most moments. The kids no longer like the idea of a cold beach; they don’t buy into sweaters on the beach and bundled up scenic walks. We spent most of the trip exasperated trying to consolidate whims and moods with our whims and moods. Learning about the four of us under a different roof was unsettling. We spent most nights in bed by 8:30 pm weathered by parenting. At some point, I sat outside on a cold bench and wrote in my journal, “I surrender.” Surrendering took two days. The third day was better. Yesterday was the best. We actually had a family moment where we laughed until we cried. We rode bikes and took pictures at a candy store. We even ate dinner at a restaurant and made it through dessert without compensating for each other. But it was a hard won day.

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In the morning light now, I’m on a crumpled bed with damp towels drying in front of me, a rummaged, overflowing suitcase next to me, and two siblings who love quietly and bicker loudly. I’m writing this now because it’s the eve of the new year. Nothing about this setting is inspiring, but I’ve surrendered. It’s the only way I can save my might for other lessons to learn.

When we were outside last night by the restaurant, I felt like I might have a chill, but I couldn’t tell if I was actually cold or if I was feeling what the kids may not have been articulating. Sometimes, this is the hardest and most beautiful thing about being a parent: you’re feeling you while you’re feeling them. The empathy is an exhausting miracle. My kids are changing; our dynamic with them in a lot of ways has to change, too, and with that comes a natural sadness. But that maternal simultaneous feeling I have with them is something that will always be with me in its weight and in its beauty. When I talked to Andrea’s mom after I heard the news, she cried that she has to be strong for Andrea; she doesn’t know how she can do it for herself, but she has to be strong for Andrea. In her mind, her daughter’s pain was even harder to bear than the quiet house she’d return to after she’s back home.IMG_4894

I have to remember the warm faith of that night after Andrea’s dad’s funeral. In his eulogy and in the words of his family members, I understood firmly that most everything worth anything is usually not like how you’d pictured it. His dreams for his life broke many times before he could pull himself back into them, and he insisted on bringing his loved ones with him as he burrowed into newer dreams. But it seems like if you do your life well enough and have some good fortune and investment in good people, that some beautiful poetry of your life can be recited and rounded out and delivered through the mouths of those who have witnessed your most raw and surrendering moments. That these markers of your world will be the echo you need to move on to the next note and the next note, through the changing sounds and the drops you can’t expect, through the small symbolic changes to the big stuff—these are stuff of this life, I see. And this is a life to which I surrender palms up, sometimes feeling at the particles like surprising shell fractures through the strain, sometimes straining to gather the prose through it, and always thinking with it and what it’s snowing down.


Snow, Ghormeh Sabzi, and Creativity


Much of the Georgia around me was swept unexpectedly under what felt like a foot of snow this weekend. In the past, warnings of ice and snow would come in scary tones on the news. This time, though, it felt different; even the weathermen were caught off guard. Later over the weekend when we got power back, I think I heard one of them apologizing on the news. Predicting weather was always somewhat of an oxymoron, so no apologies necessary.

Released early from school on Friday, we all found ourselves back at the house. The neighbors who were making snow men across the street came over. Kids played in the icy play dough with the awkward joy of a southern kid whose mom just quickly stacked them up in some clothes as his limbs jazzed around. Snow melted inside my house all day. We put towels everywhere and put the coat hanger by the crackling fireplace.


By 7 am Saturday morning, I saw what I always hear under my ears on snow days; I marveled at the “north wind’s masonry” and felt I was part of the “privacy of storm.” The snowman became a relic on the shelf of yesterday’s adventure. I felt good that the kids got to see the type of snow they see in the movies, but I was surprised to reflect that my favorite part of the storm was when I was the only one awake, and I walked outside the front door to take these pictures. I wore Kal’s shoes and made deep imprints in the fresh snow. Tree branches were fatigued and said a crooked hello; the sky and the ground were unanimous.


By the next day, things were cautiously bubbling outside again–cars picking up some speed and mail getting delivered. I got out of pajamas and got fancy for a Persian lunch with new friends from Oregon. I was in a soltani mood and feeling extra chatty after our 2-day winter shut down. One of our guests ordered ghormeh sabzi, essentially the Iranian national dish. She asked Kal if he likes this iconic dish since like her husband, he’s not Persian either. He confessed it’s the only dish he doesn’t like. We talked about how its the kind of dish whose hard-won scent is so distinct that it will dominate, permeating house and body. She said when she lived in Iran, she never wanted to eat it because of its common and nagging aroma, but now she always orders it whenever she can because she can’t cook it at home, and mainly, she wants to carry the smell with her to her house and to her body. It’s her way of reconnecting.

It’s life–the way we change our minds about something because our circumstances change. The courage we have to say it’s okay to carry something new you’ve discovered about yourself even if its as simple as eating the thing you never loved and relishing in the symbol. I was reading a collection of poems my cousin Shadi bought me called Neon Soul by Alexandra Elle. Each poem best carries the weight of its creation when its read by itself. Micro prose can feel like water color when sped through, but I had the time beneath the snow to just read through the little poems anyway.


What I liked most about the text is her introduction.

She says that when “healing happened, the fire that was burning within me simmered down…It’s like my senses decided to power off because the darkest parts of me had been healed by the vibrant hues of electrifying truth…Perhaps they figured I didn’t need my vibrancy anymore because, well, I had found it.” She says honestly that she doesn’t want pain and trauma to be her “resting place” anymore despite the art it created; instead, she will focus on “growth and resilience.”

While Elle has her own distinct story, I found a common place here in the words I think all new artists should read: “I feared that my contentment wasn’t what people wanted to read about. In my mind, I assumed more eyes would be looking for the pain to relate to. Who wants to read about happiness when they are still in the thick of aching and turmoil? Nevertheless, I hope whoever is reading this wants a different view and perspective…preparing for joy is just as important as healing from hurt.”

I value this admission. Some of us who seek art to fill our bellies with whatever it so desperately craves fear that the best work is created in the midst of the ache-current. It’s like the escalating, chaotic blooming sound Claire hears when she is about to go through the stones and through another time in Outlander. But that can’t be the homeroom every time you want to make art, at least for me anyway; to rely on that would be more like seeking the pattern of an addict. I’m learning this myself as I’m in the changing room with my own process. I’m realizing that to rely on what used to work is immature. To rely on the ache of expressing something forgone isn’t enough and can produce work that is meaningful, but not in the way I may be seeking in the long run. Like the famous resilient Persian dish, the markers that used to launch the creative process can just flavor on their own while I sit at the same desk but write into something else from another place, in another time, with another way.



Accepting the Magic

I haven’t wanted to write another post after Chile Part 2. The canvas of that trip has become the image I see when I close my eyes, and I can’t figure out how to create another. I recall those 4 nights in Chile when I need to remember magic. When the background noise is a jagged jutting of nonsensical You Tube kids videos and kids arguing over who gets the remote while I’m trying to pick up after everyone, I have found myself closing my eyes and channeling that magnitude.

Each night when we walked out of our hotel room, I would gasp audibly when I looked up and saw the brilliant stars existing up there. I wonder if they see us with the same awe, stars looking down on us while we look up at them, both of us angling our necks and wondering what is going on over there. Just like I haven’t been able to make a mark here on this site, having a strange fear that writing something else will erase the imprint of the trip, I haven’t been able to take but just a cursory glance at the night’s sky in Georgia since returning. My capricorn sign says I’m a loyal person, and so perhaps the loyalty has stayed firm in my commitment to the blessing of that magical trip and that Chilean sky.

It was only yesterday that I looked up at the night’s sky on my way home from dinner and thought I’d love to smoke a wayward cigarette on the porch and wonder with the sky like I did on so many cold nights last year. I figured then that I have preserved the luggage tags long enough and that it was time to return to the magic of the continent of the real world I live in.

Through magic, I’m having the novel of the owner of the Libreria translated to English so I can continue to dig my hands in the mysterious and story-filled sand. I can only grasp the literal words when I try on my own. Spanish seems to be the breeze in my life these days, and I’m trying to figure out if it’s a sign of something I need to pursue or just something I’m observing more now since my senses are heightened. For example, I went to the land of llamas, and I see them in every holiday display these days; Allende came out with her latest novel, and true to Allende’s birth country, the protagonist is from Santiago. Just seeing the city’s name on the page is like remembering a nestled romance. I just went to a show where Spanish was everywhere. Andrea and I joke that, basically, Chilean anything seems to be the new black. My gift to myself tomorrow is both to stay at home since we’ve been busy all week and to watch this incredible documentary, Nostalgia for the Light, for the second time, post-trip, since I’m still pretty nostalgic in a different way myself.

The magical doesn’t just live far away in South America though. Magical is defined as something “beautiful or delightful in such a way as to seem removed from everyday life.” Chile was removed from my everyday life and entered into a realm between spiritual and supernatural. What took me there transformed into marks like an invisible constellation tattooed across my forearm. And now that I’m back, I’m still observing inside and outside of things. I’ve had some unusual magic here in reality, too.

As a teacher, I get a week off during Thanksgiving break. I don’t ever remember this week as a truly restful break; it usually isn’t. We’ve had the sweet company of aunts and cousins, and while pictures of us all together show fun, coordinated outfits, red lipstick, and poised selfies, I have to be honest and say that I can be a total monster behind all of that. Before guests come over, for example, my pleas for help to pick up the house escalate, and I become the worst version of myself. I am disgruntled and even resentful that things aren’t the way I want them to be. I don’t need to have a neat house because it makes me look like a better human than anyone else; I need a neat house because there are so many other small messes and decisions in life that I feel the foundation has to be clean for my brain to handle the other stuff.

So on Monday, I was racing around even more than usual to clean corners. I was up until 2 am stuffing shells and rolling kofta meatballs and preparing dinner for 20 guests. I know they are the most forgiving audience, but I wanted to show them I appreciate them by making the event as elegant as I could. The whimsy of all of this is the big-bulbed, yellow lights strung up over our deck, the cousins putting on dance contests with their own bluetooth speaker—independent of the music we played inside the house—and the fun they giggled at outside. I looked outside at one point and saw kids sliding down the zip line we have up between two tall trees while other kids were eating cookie cake and joking kid jokes probably about emojis and poop, two favorite topics of discussion it seems.

Inside the house, we played old Persian music videos like Hamsafar while my cousin and I used plastic forks as microphones, reenacting the video as two young loves in front of an orange fire, Kal’s crackling masterpiece every evening. Guests cracked walnuts and devoured butter cakes and sang along. Something picturesque was stirring through it all. The preparation monster inside me subsided, and I finally had fun while they had fun. Even though my food may have been a tad under salted, it was made with desire and seemed truly appreciated. Even though I forgot to get little toy tokens for the kids; they didn’t seem to need anything else but their independence outside. And even though I drove myself nuts over details, it seemed to pay off in laughter and in family.

The biggest magic of my reality is my children’s forgiveness. They are like the beach in the morning. All the marks in the sand are erased at night and by morning, the sand is renewed. My kids didn’t even skip a beat at my own shame of being more of the kind of host I want to be rather than of the kind of mother I want to be. They may just have to accept this part of who I am, and I’m working on that acceptance myself.

The truth is, my children who may read this one day, I’m a preparer. My heart is full of desire, and I want to be all the things at once despite my humanity. I sit at Starbucks for an hour or two longer so I can write. I know you’re sad that I am not sitting next to you watching You Tube videos, and I hope you can magically forgive me for that, too.

And the final magical imprint I’d like to share with you of my continent’s reality is this picture of Layla taking polaroids during our nature hike up Kennesaw Mountain on Thanksgiving morning.


The boys went ahead of us because what was important to Layla was to take photos and to take everything at her own pace. I resisted my urge to speed walk up the mountain.  Layla took her snack breaks. She was proud of what she’d packed for the short journey; she ate granola bars every 15 minutes, which I laughed at inside since she called it “refueling” when we’d hardly burned any fuel.  And I was patient. I gave her what she needed, and she took little rectangular photos and chatted with me about every little thing on her mind.

Both kids had their little cameras. Zade wore my scarf around his neck, looking Parisian (in a NYC hat, nonetheless) while he walked with his hands in his pockets.


So that’s where I want to end this message, post-canvas. I began it with the memory of my faraway, special place, and I’m ending it here with the magical clearing that’s there when I am able to open my eyes and be what I need to be when I need to be it.


Chile: Part 2

IMG_3367We’re in flight from Santiago to Atlanta. The air cabin is dark, white rims of devices and overhead lights set the tone for the overnight flight. People are watching movies or flipping through books. A woman wearing a red neck pillow is reading the Delta magazine in front of me while Andrea shares a song with me from A Ghost Story. Every time she turns around to see the changing night’s sky, like sherbet against a black slate, her bud falls out of my ear, and when I put it back in, the matching bud falls out of hers. We laugh. A few days ago, at the end of a tour, the guide said,  “You laugh a lot, you two.” While we waited to check in our flight after our Calama flight, we continued to call each other Blanche and Dorothy from The Golden Girls as we’ve done this whole trip.  He’s right—we do laugh a lot. When Mrs. Larson sat us next to each other in 7th grade, I’m sure we never imagined ourselves in another continent, exploring. Lots has changed since then. And what I can say with certainty that this trip has changed some things for me.

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I didn’t feel guilty on this trip. I thought I may be ridden with mom guilt. Before the trip, I ordered gifts for the kids, got all the groceries and made meals for when I was gone, arranged for my parents to be on grandparents’ duty, cleaned and folded all the laundry, and even made scavenger hunts for the kids so they could follow the clues to get to a prize. I wanted to distract them from missing me. I needed my experience to be easy for them. The night I left for the journey, I cried in the uber on the way to the airport. I had this moment of feeling ridiculous for leaving the comfort of my home and family, this world I spend so much energy to maintain, in order to search and support something without them. For a few hours, I felt ridiculous for spending the money, for not understanding the excitement I had hoped I’d feel when the day came.

But when I got on the plane with Andrea, small pieces started to fall into place just as I had imagined. And each day when I talked with Kal and the kids, when they showed either their support or even their distracted indifference, I felt better. They were fine. Their encouragement made it possible for me to turn off the awful, ancient ghost that stereotypes mothers.   Don’t we all need to go somewhere different, and bring back brown dust and dirt underneath our shoes?


We sucked the marrow out of each day. Our hotel stay included 2 half-day or 1 full-day excursion each day. We took advantage of this option and tacked on a whole bunch of smaller outings on our own.

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Each time the van took off, we’d bobble back and forth on dirt roads. In the village of only 1,500 people, the municipality lives in the past in order to preserve its future, perhaps a mixture that involves not wanting to affect the tourism industry that the area has seen grow over the last 15 years. I never saw one two-story structure; a home that wasn’t in line with its regional volcanic ash rock or indigenous colors. When I tried to send pictures home, I could see how bland and brown the expanse appeared, but this was far from the truth. As I said in Chile: Part 1, pictures try to do it justice, but I can’t capture how each time I’d look down for minute or look to the side to talk with someone in the van, I’d look up to see something new.


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For some excursions, we travelled anywhere from 20 minutes to 2 hours outside of the hotel, sometimes elevating over 14,000 feet above sea level or more. The best description I can give the ever changing landscape is what the tour guide called “geological stairs.” These elevations would step up in front of us. I’d see dried desert sand and then as if separated by a line, I’d see patterns of saffron-colored blossoms surviving off hardly any rain or water source. I told Andrea that the San Pedro de Atacama desert and its coveted cousins—the geysers, El Salar de Atacama, the llamas, the flamingos, the cacti families, Machuca, Puntana wetlands, the San Pedro River,  Toconao, the lagoons, the valleys of the moon and mars, and the legendary night sky—have been incredibly evocative, staircasing my own emotions.

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For example,  on the road to the lagoons, we chatted and waited for elevation changes. We battled altitude sickness with our greed for even more beauty.  While we gasped for air up there and tried understand the beauty in front of us, the guide set up a private lunch buffet. Since the other tourists scheduled to come with us had cancelled after a night of partying, we got the feast to ourselves. Between the scene in front of me and the feast behind me, I was overwhelmed with emotion. We cried, and then we laughed again. I wondered why I was able to bear witness to such a miraculous trip. Too many blessings all rolled into one, I felt, as Andrea and I sat baffled at the natural beauty around us.

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The 1,500 inhabitants of San Pedro de Atacama, with their conservatism and pride, their aspiring youth, their tiny literary scene, and their overwhelming nature have made their impression. I don’t know how I will feel to be on highway 285 again, seeing billboards and traffic, people scrolling through their phones as they drive.  

I know beauty is everywhere; but the natural phenomena here is magnificent. It’s no wonder I keep questioning, How is this here? How am I seeing this? Where did that huge volcano come from? How is yellow growing from sun and dry dirt?

As if our cup wasn’t already full, we found out about a cultural center and book store off the beaten path and managed to get the driver to go off script to take us there after an excursion. After the joy of the lagoons earlier that day, I was already sentimental. The grounds of the small bookstore had me in tears again. It was one of the quaintest places I’ve ever seen.



I felt I wanted to dig my hands into the ground and grow up like the indigenous chanah trees here, oak-colored on the outside and green, almost raw, in the center. We bought too many books and just put them on the our credit cards. Of course I had to get some compilations of famous Chilean writer, Pablo Neruda. I couldn’t bring myself to dust off the desert sand off the cover.


William O’Daly’s introduction to Book of Questions says “Neruda is interested in inquiring about the nature of things, a process initiated by asking questions rooted in experience, offering us what he intuits are true and does not understand. Rather than remain in control, he submerges himself in not-knowing, in the unknowable questions that enter the imagination… ” Also, Neruda’s brief poems are composed “entirely of questions,” and “integrate the wonder of a child with the experience of an adult. An adult usually grapples with a child’s ‘irrational’ questions solely with the resources of the natural mind. While Neruda craves the clarity rendered from an examined life, he refuses to be corralled by his rational mind.”

O’Daly says that Neruda’s last group of poems before his passing allowed readers to use a mind “engaged in intuitive and emotional responses.” For me, this version of his book is fanciful and connected to the earth I wondered so much about in San Pedro de Atacama.


Why does the night fly

with so many holes in his hat?

What does the ancient ash say

when it walks next to the fire?

Why do clouds weep so often

and yet they seem happier?

For whom do the sun’s pistols burn

under the shadow of the eclipse?

How many bees does a day have?

My brief visit to Neruda’s homeland makes me no expert on the layers of his poetry, but I notice how much of these poems unfold in the very nature that baffles me. Some of these stanzas of questions are part of the many senses I’ll remember—like the smell of the hotel lotion, which after walking in the desert, we learned was the natural scent of the healing rica rica cactus; like the sound of Los Jaivas, a famous band we heard live because we were at the right place at the right time; like the taste of coca leaves; like the appearance of people cleaning the channels as a community to ensure water; like the shrubs that blow in the wind like wheat grass but are coarse enough to roof a house.

Like the silver dots painted across the black sky, an expanse, an ancient canvas that’s both forward in time and backwards. Like the image I have of the prideful atacameño people who roamed over Chile, Bolivia, and Argentina, and of the families who mine for 7-10 days and move back to their homes in other places, families dedicated to the rugged copper mines intrinsic to this land.

Four days passed, and we were in the same shuttle on the way back to the airport. This time, we expected the scenes unfolding around us and the jagged car ride. For the longest time, no one took pictures. In previous drives, guests pressed their Nikon or Sony gadgets against the glass. Shudders would take 12 pictures a second. But yesterday, we drove and looked outside quietly, satiated, eyes hot under their lids, languid legs tired from climbing. Our mind was half numbed by the bumpy ride and light brown fields on all sides, and half aware of the real life to which we return. No one asked questions. We had all the answers we needed, and we drove on to the airport with some desert yielding under the wheels of our suitcases.


Tonight, 32,008 feet above ground, I feel like a great act of generosity has happened to me. No photo does it justice. You have to see it and feel it for yourself. It’s like motherhood, or pain, or desire, hunger, or love. Observation is removed from experience. What has changed for me is concrete knowledge that experience is worth more than anything else. That guilt is a double negative. That natural imagery is more powerful than anything I’ve ever experienced in a city. That finding Neruda’s poetry in the small book store was once again perfectly timed. That a supportive family is the best kind of family. And that doing something totally different is the most invigorating.

The last of Chilean pesos in my wallet will go up on my kids walls as reminders that your life doesn’t need to have one currency.  If a cactus in burning heat can bloom the brightest yellow flowers, then a sheltered dreamer can be impractical and track across a new continent in recognition of a true adventure, and maybe she’ll return with a yellow flower of her own.

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Chile: Part 1

The trip has only just begun, but I’ve already been overwhelmed with so much emotion both in preparation for it and in the journey to our final location that I am afraid I won’t be able to catch up to how fresh it is by the time I am back home and sit down to write at my desk. Doing that would surely offer a wider reflection that includes all parts not only behind the scenes but also ahead of them. Using the terms of the many photographers who have tried to capture the beauty of San Pedro de Atacama, Chile, it would give me a better panoramic view of my experience. I’d even be able to upload larger picture files. Instead, though, I’m going to work with what I have and write what I know now.


At some point in the early summer, Andrea and I were talking on the phone. The house was asleep. I had my laptop open while we talked, and I was looking up words like Santiago, Calama, Chile, San Pedro de Atacama, the Atacama Desert, and listening to her tell me again about how she wants to travel there to see all of its wonders and to help write her finish her novel. The primary backdrop to her novel is this astronomical and geological mystery that she knew so well intellectually but wanted to see for herself. I squeaked out that maybe I can come, too. I had some story interest in this region as well, and this was a chance to see my friend’s dream actualized. This became our little writer’s retreat. Andrea, who calls me her practical Capricorn and who has always wanted us to travel somewhere together, might have fallen out of her chair in shock when I said I may come. Getting the family approval was the first struggle, but I was going to try to make it happen. Going with her could only have been written in the stars because there were so many odds against my going to this completely random and faraway place in another continent.


It’s usually the Geminis in my life, like Andrea, who inspire (or badger) or motivate (or ask relentlessly) me to say yes to something outlandish. Wherever that guidance has taken me is usually something difficult for me at the time, but ends up being something I never regret because it stamps something else to my character and forges something in my relationships. This capricorn who dreams while sitting steadfast in a chair gets catapulted into the adventure she seeks because of these passionate Geminis. So, I worked all day, took the kids to lessons and ice cream, sent them off to soccer practice, got in an Uber with a stranger named Andrew, sat in a flight from Atlanta to Santiago for over 9 hours, in an airport for 4 hours after that, in another plane to Calama for 2 hours, and then an 1 hour and thirty minute drive to the hotel to what has seemed to me now as this: to sit on the edge of something beautiful.



In the plane, I got to see the path of The Andes and the lines of the desert that Andrea called sand rivers. They looked to me like an open palm, flat to be read. Like anything we see in nature, the awe we have to living art is akin to the awe we reflect in ourselves.

Boarding our flight to Calama, I noticed the plane was filled mostly with men, and the airport was the same way after we got back. It turns out that they are here for the Chuquicamata copper mine, the largest open-pit copper mine in the world. That rugged industry and local information felt incongruous to the music in the restrooms; at one point Elton John was singing “Your Song” to the backdrop of the airport, and Pretty Woman’s theme song played at the previous airport, the comical side of globalization.


The car ride to the hotel was wondrous. The  land here is incomprehensibly fantastical. Mostly, this area is unpopulated. In the car, I learned there are about 16 million people in Chile, 8 of them in Santiago, and about 1500 of them in this small area we’re in now.



Roads are clear, the land is an expanse of myriad things. In my mind I see a time of tribes or a time of dinosaurs.  Where there seems to be very little human life on the setting around us here, there are surprising images everywhere. I wrote on my phone on the way here that my brain doesn’t understand how snowcapped mountains are the backdrop of a dry desert. I understand roughly that it’s all a result of science from years ago, glaciers, rain, The Pacific Ocean, the Andes of the East, the Humbolt current of the west. But like I told Andrea after seeing the most magnificent, pure night sky last night, this place for me is like tasting different palette-inspiring dishes that leave you wondering about their ingredients, about the Chef’s magic.


I saw Saturn’s rings, or moons, last night. I saw the haze of the milky way galaxy. I learned about star cemeteries and black holes. After climbing 60 stone stairs to the observatory, I reclined on a lawn chair, like the ones you’d lean on and view the ocean waves, and instead looked up at drops of blinking stars. Our ancestors saw the sky without cities, overpopulation, and pollution, and I felt that I went back in time to join them for thirty minutes when our star guide, Pablo, told us his narrative of the stars. He used words that messed with any concrete resolution I’ve had of time, of humans, of organic matter, and of history.

After eating a delicious meal—while desperately trying to stay steadfast to a diet that may prevent the heavy altitude sickness that prevails among newcomers to this part—and star gazing, we called it an early night to get ready for a day of quiet acclamation.

I’m sitting on the patio of our room with my feet burning in the sun and my hands gently cracking from the crisp, cool air. I see a person or two walking quietly among the grounds of the hotel, which looks more like a sanctuary. Every time I look up from this computer, which is stringing together dusty connection, and see it, I can’t believe it. And I know for certain, just like the pictures I saw of this country before I got here, that pictures cannot do this place justice. And by “it” I mean both the grand gasp this region gives you on the inside and the ancient beauty it displays on the outside. It’s a place of incongruity yet a place of symmetry. I hope I can search these early ideas more as I move on through the days here.




I wrote this really gentle paragraph about a spider a few weekends ago. With my legs resting on the chaise in a quiet hotel room, I unfolded my laptop. I figured out that the window cranks open, so the cool morning air kept me company as I listened to Amber Run Radio.


Kal was sitting outside enjoying the last hour before checkout. He sat in a little nook where the day before I had propped my feet on a wicker table while reading The AJC.  I’d snuggled under the spa robe guests were encouraged to wear everywhere throughout our stay, and I’d read a grainy newspaper–from its obituaries to the Dear Abbey column. I even read the comics since I didn’t have anywhere else I had to be.

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In the small weekend of luxuries, we celebrated his birthday and remembered what adult quiet feels like.

So my paragraph was all about this spider I encountered on the other side of the restaurant’s glass during our first breakfast.  A dried leaf had fallen onto the invisible web, and the spider wrestled with the trapped leaf for a little while. Spiders creep me out, so I didn’t stare for long. By the time I finished eating, I looked up to see the spider release the leaf. She was indifferent about it. The leaf fell gracefully down to earth, and the spider went quietly about the business of living.

I’ve tried to figure out why this image stood out to me.  We were at a vineyard, an old, hidden treasure; I had a few moments to write about gratitude, about the tipsy dinner the night before, about how it takes a full day to get the kinks out, and about how commitment can take you somewhere new.

IMG_2430But my focus included this independent spider who untangled something out of its careful design.

Maybe to look up and see something release a burden so swiftly is what intrigued me the most. Sometimes it can take us giants years to release just fragments of the matter that doesn’t serve us.

Reading back on the writing now, spider and all, I recognize how much I want to hold on to that temporary calm; a weekend of both shared and independent experience that count in our business of chasing after life.